"The Timbral Topography of the Noble Snare", Percussive Notes, Volume 29, No. 5, June, 1991, p.58-63

"The Compositional Use of Timbre in Selected Solo Multiple Percussion Works", Interface, Volume 21, No.2, 1992, p. 117-134.

"Surface Area Contrast as a Compositional Element in Elliott Carter's Moto Perpetuo, Texas Southern University Research Journal, Volume III, No. 1, August, 1992, p. 12-16.

"Women Composers and The Noble Snare ", Journal of the International League of Women Composers, October, 1992, p. 1-3.

"The Compositional Use of Striking Implement Specification", Percussive Notes, Volume 31, No. 6, August, 1993, p.86-92.

"Color Hearing and the College Ear Training Curriculum: Help, Hindrance, or Irrelevance", Currents in Musical Thought, Volume II, 1993, p.53-68.

"Spoken Text as a Compositional Element in Unaccompanied Snare Drum Solos", Journal of the National Association of College Wind and Percussion Instructors, Volume XLII, Number 2, Winter, 1993-94, p. 4-11.

"Extended Performance Techniques and External Sonic Resources as Compositional Elements in Selected Timpani Solos by John Beck"Journal of the National Association of College Wind and Percussion Instructors, Volume XLVI, Number 3, Spring, 1998,p.9-16

"Recent Solo Timpani Compositions and the Influence of Elliott Carter's Eight Pieces for Four Timpani"Journal of the National Association of College Wind and Percussion Instructors,Volume XLVIII, Number 3, Spring, 2000, p. 4-17

"Structure and Style in Nexus Portfolio for Snare Drum"Journal of the National Asociation of College Wind and Percussion Instructors, Volume XLIX, Number 3, Spring, 2001, p. 14-24

"Spoken and Intoned Text as Structural Elements in Percussion Ensemble Compositions"Journal of the National Asociation of College Wind and Percussion Instructors, Volume L, Number 4, Summer, 2002, p.4-13

"The Drum Set as a Solo Multiple Percussion Performance Medium "Journal of the National Asociation of College Wind and Percussion Instructors, Volume LII , Number 4 Spring, 2004, p. 4-13.

"Rhythm and Timbre as Interdependent Structural Elements in Askell Masson's Compositions for Solo Snare Drum "Journal of the National Asociation of College Wind and Percussion Instructors, Volume LIII, Number 4, Summer, 2005, p.14-23.

"Texture, Transition, and Form in Askell Masson's Rhythm Strip for Snare Drum Duo" Journal of the National Asociation of College Wind and Percussion Instructors,Volume LV, Number 3, Spring, 2007, p. 10-15.